Flash Art Volumes #2 ness after we destroyed nearly everything

after we destroyed nearly everything here

shattering the bounds of established genres and spearheading new ones along the way

the bits and pieces of a floating

It’s a testament to our love for hands-on creativity

Ses photographies mettent en relief des sujets tels que la représentation

Flash Art Volumes #2 ness after we destroyed nearly everythingFor its second issue, Flash Art Volumes invited Michael Abel and Nile Greenberg of the New Yorkbased architecture practice ANY as guest editors. They have titled this edition Crisis Formalism. If we recognize that architecture is at a tipping point in which form, once immediate and vital, risks dissolving into a haze of proliferating crises then the moment calls for a fundamental rethinking of form itself, not as an outcome of crisis but as its very