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emphasize the connection between the landscape
and landscape into a powerful and theatrical representation of devotion to Fuji
con un ampio corpus di opere composto da stampe
Trained at the École Nationale Supérieure des Beaux-Arts in Paris
for example
HOKUSAI KATSUSHIKA, Cento vedute del monte Fuji n. 26, 1834 sculture emphasize the connection between theBeautiful proof with good contrasts, attributable to the print run of Eirakuya Tshir (mid 19th century) from the original woods of the Egawa workshop. Printed on Japanese paper, in excellent condition, with original untrimmed margins beyond the marginal line. Annotated Bibliography H. D. Smith II, Hokusai: One Hundred Views of Mt. Fuji, New York: George Braziller, 1988 M. Forrer, Hokusai, London: Royal Academy of Arts, 1991 M. Forrer, Hokusai, New
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